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The Terminator, the film that catapulted Arnold Schwarzengger into Hollywood's stratosphere, was never designed for more than a niche audience. Indeed, while the film made a nice profit for Orion Pictures (returning grosses about six times its cos...

Thieves is André Téchiné's followup to his unexpectedly successful 1995 art-house entry, Wild Reeds. In fact, Téchiné drew so much interest for his installment of the French TV series, All the Boys and Girls of the World, that Filmopolis Pict...

Things We Lost in the Fire represents Danish-born Susanne Bier's first foray into studio-funded American cinema. The transition is seamless - Bier's signature style of simple shots and frequent close-ups remains intact and her choice of material f...

Tolkien represents a classic standard-order biopic – a high-level profile of someone with minimal flesh on the bones. More like the dramatization of an Encyclopedia Britannica entry than a fully rendered movie, Tolkien provides details about ...

In movie theaters, January can be a month of surprises - most of them unpleasant. (I'm still trying to wash away the lasting stink from Grandma's Boy.) Fortunately, Tristan & Isolde bucks the trend, offering a tragic love story so involving that ...

Death: it is the lone certainty in life (forget the bit about taxes). Despite that, when the end comes to a loved one, even if expected, it can be difficult to process and handle. The situation is even more dramatic in cases when a death occurs a...

Upgrade, the exploitation-influenced stepchild of Payback and Robocop, is the latest creation from Leigh Whannell, the influence behind Saw and Insidious. Working without the James Wan safety net, Whannell proves adept at providing sufficien...

It would be fair to characterize writer/director Paul Schrader as someone who's fascinated by the seamier side of human nature. Some of his best known screenplays, including Taxi Driver and Raging Bull for Martin Scorsese, have plumbed the depths ...

Five minutes into The Wedding Planner, I suspected the film was in trouble. Ten minutes later, I knew it was in trouble. There's only one thing that can sink a movie so fast - bad writing. Even excruciating acting takes longer. Romantic comedie...

“Weird” Al Yankovic took popular songs of the day and reworked them in his own image, using new lyrics to craft something that was both familiar and different, existing somewhere between satire and outright farce. Is it any surprise, then, tha...