Search for Artist

There are essentially three kinds of boxing movies: those that offer a grim, tell-it-as-it-is perspective of life in the ring, those that focus (often in an exaggerated fashion) on the business aspects of things, and those that seek to uplift thro...

In 1990, the MPAA introduced the NC-17 rating to provide an outlet for legitimate adult fare -- non-pornographic motion pictures with content deemed too strong for the under-17 crowd. The first movie released with an NC-17 was Henry and June...

Of Roger Moore's seven James Bond pictures, The Spy Who Loved Me stands out as the best. Stripped of the extreme silliness of The Man with the Golden Gun and packed with style, action, and wit, The Spy Who Loved Me ranks alongside the Connery...

By the time Thunderball, the fourth in the "official" James Bond film canon, was released, the "Bond Formula" had already been perfected. It goes something like this: take the suave 007 (always impeccably dressed and ready with a witty one-l...

The key to effectively dramatizing a tragedy like the one at the center of Till is to avoid the slightest whiff of exploitation. The events surrounding the death of 14-year old Emmett Till on August 28, 1955 are well documented. Prior to that fate...

When one considers the films that won the Best Picture Oscar in the decade from 1956 through 1965, it’s evident that the Academy favored two kinds of productions: spectacles and musicals. During that span, there were two outliers: 1960’s T...

The scrutiny surrounding Tomorrow Never Dies, the eighteenth "official" James Bond film (not counting Casino Royale or Never Say Never Again), isn't as intense as it was around Goldeneye, but the attendant hype is, if anything, even more severe. ...

Going into this film, I wondered whether the filmmakers would succeed at generating tension out of an event whose outcome is so well-known. Even those with only a rudimentary knowledge of history are aware that Hitler did not die as the result of ...

By the late 1950s and early 1960s, the musical had become one of the most popular motion picture genres. The list of past hits was impressive, including titles like Singin' in the Rain, South Pacific, The King and I, Oklahoma!, An American in Pari...

After scoring big with his live-action adaptation of Aladdin for Disney, Guy Ritchie returns to more familiar territory with Wrath of Man, an English-language remake of the 2004 French revenge thriller, Le Convoyeur. Accompanying him on this b...