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Where the Wild Things Are may be the first family film in recent memory to rely not on narrative or character development but on ideas and the director's vision. The result is an involving experience for all but the most fidgety children and an op...

White Oleander is a flower - a hearty-but-poisonous flower whose beauty makes it appear deceptively fragile. This blossom, which appears several times throughout the film that takes its name, is a perfect metaphor for Ingrid Magnussen, the charact...

The Whole Nine Yards suffers from split personality syndrome - it's a strange hybrid of film noir and comedy. At first, this might not seem like an unusual approach, until you recall that most movies of this ilk are satires. That's not what's goi...

I might have felt sad about what director Howard Deutch and screenwriter George Gallo have done to the characters from The Whole Nine Yards if I cared about them in the first place. The problem with a movie like Jonathan Lynn's 2000 noir comedy is...

When attempting what is often deemed the most unnecessary of cinematic projects, the remake, a filmmaker can adopt a nearly identical plot but still generate an inferior product. Such is the case with Neil LaBute and The Wicker Man. LaBute isn't ...

The Wicker Man is an early '70s British export that criss-crosses genres as easily as it confounds audience expectations. A film that defies categorization, The Wicker Man can be considered to be a horror film, a psychological thriller, a musical,...

Violence comes in many shapes, sizes, and forms. Twenty-six years ago, when Sam Peckinpah's The Wild Bunch was first released, it caused a stir because of its gritty, uncompromising style. The deaths in this film are neither sterile nor heroic. W...

Released during the summer of 1971, Willy Wonka and the Chocolate Factory was envisioned as a transformation of Roald Dahl’s twisted fable of gluttony and greed into a family-friendly musical. Inspired by The Wizard of Oz, Willy Wonka sought ...

We live in a cynical world. A romantic fairy tale like Winter's Tale might have worked better in a kinder, gentler age but, in today's era of sarcasm and scorn, its flaws (of which there are many) are magnified. For something this sentimental to wo...

The Witches was the third and final foray into feature film fantasy made by the late Muppets creator, Jim Henson. Released shortly after his death, the movie followed in the footsteps of The Dark Crystal and Labyrinth as opportunities to use H...