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The Monkey is in possession of a great trailer that the actual film doesn’t quite live up to. Nevertheless, Osgood Perkins’ radical reimagining of the Stephen King short story is plenty entertaining in its own right for those with a sufficient...

Monster-in-Law is appalling misfire of a comedy - a motion picture that takes a situation ripe for the blackest vein of satire and reduces it to a puerile and edgeless pile of goo. Forgive me for a moment if I bemoan the lost potential here. Give...

One of the questions I am frequently asked by e-mail is "What is your favorite comedy?" In a horse race that's almost too close to call, I have decided upon A Fish Called Wanda, followed closely by The Life of Brian, then Monty Python and the Holy...

Each of the three "official" Monty Python movies has its own distinguishing quality. The first, 1975's Monty Python and The Holy Grail, is arguably the funniest and (in some ways) the silliest. The last, 1983's The Meaning of Life, is the most un...

Few working directors are as consistently, dependably quirky as Wes Anderson, whose films tend to excite art house audiences while being ignored and bypassed by mainstream movie-goers. His latest, Moonrise Kingdom, represents one of his best, in la...

Like the occasionally dark Broadcast News and the considerably bleaker Network, Morning Glory takes a peek behind the curtain of television newscasts and reveals that all is not as clean and ordered as it appears over-the-air. The film is at its b...

Moscow, Belgium is a romantic comedy with a different flavor. Although it follows many of the familiar patterns that characterize movies of this genre, it does enough things differently to allow it to step outside of the norm. While some elements...

For whatever reason, the character of Mr. Bean has never caught on in the United States. Rowan Atkinson's most popular creation has a small following in this country, but labeling him as an "acquired taste" would be an accurate descriptor. Unfort...

It seems strange to watch Mrs. Doubtfire and not see Dustin Hoffman. This is, after all, a variation on Tootsie meets Kramer vs. Kramer, both of which featured Hoffman. Here, it's Robin Williams fighting for custody of his children, while donning...

Mrs. Harris Goes to Paris matches the tone and aesthetic of one of those feel-good, highbrow art house films that were popular during the 1990s and 2000s. (It’s not quite on the same level as Enchanted April but is better than The Best Exotic Mar...