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The best thing that can be said about the second Night at the Museum (which bears the unnecessarily long full title of Night at the Museum: Battle of the Smithsonian) is that it's harmless. And pointless. And dumb. This is a perfect example of a ...

At its best, Nightbitch offers a deeply honest, emotionally unsettling portrait of the darker side of parenting. Unfortunately, those moments are counterbalanced by a metaphorical story element that devolves into an exercise in campiness so tonall...

No Hard Feelings is an odd movie in that films of this sort have fallen out of vogue in the 21st century and are rarely accorded any sort of theatrical release. (The box office results will determine whether the decision to reject a direct-to-stre...

Korean director Park Chan-wook has never played it safe, and his tilted sensibilities have sometimes paid off handsomely, whether in the form of the cult classic Oldboy or the Hitchcockian The Handmaiden (which remains Park's best film). His lates...

Romantic comedies are a little like junk food: they're not healthy or sophisticated but, when made right, there's something addictive about their tasty familiarity. Going in, you know what you're going to get. There are no surprises, nasty or other...

Now begins a period of prayer for Eddie Murphy - he must pray that no one who can cast a Best Supporting Actor vote in the 2007 Oscar race will see Norbit, because no one in their right mind could think of providing an honor to anyone involved in t...

Rob Reiner has had an amazing string of hits. His resume dotted with such critical and popular successes as This is Spinal Tap, The Sure Thing, When Harry Met Sally, Misery, and A Few Good Men, Reiner has transformed his Meathead image into that o...

Not Okay can be a lot of different things to a lot of different people. It touches on a wide variety of hot-button issues. A few are addressed with subtlety and others with sledgehammer forcefulness. Some, as one might reasonably expect, are incis...

In Western culture, we are obsessed by the concept of celebrity. How else can one explain the plague of paparazzi that descends on public figures when they make appearances, or the popularity of gossip magazines and TV shows? Celebrities are l...

For Nouvelle Vague, director Richard Linklater offers a three-for-one. It’s a hangout movie, a love letter to the French New Wave, and a behind-the-scenes look at one of the era’s most famous films: Jean-Luc Godard’s Breathless. Stylisti...