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It never fails to amaze me that something as essentially light and pointless as Disney's remake of The Parent Trap can clock in at over two hours in length. This is one of those movies that has difficulty sustaining any kind of comic or dramatic m...

Sally Potter’s quirky The Party owes a lot to a generation’s worth of French “gathering” films in which a bunch of characters come together for dinner (or something similar) and all hell breaks loose. Commonalities among these films in...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...

Paul is arguably the best science fiction comedy since Galaxy Quest. Despite being humorous in its outlook and providing numerous "Easter eggs" to fans of Star Wars, Aliens, Close Encounters, and E.T. (amongst others), this isn't a parody. Outside ...

After stumbling through a lackluster first 30 minutes that features all the tepid humor one might reasonably expect from a mediocre comedy, Paul Blart: Mall Cop does something unexpected: it becomes watchable, perhaps even passably enjoyable. That...

Gene Siskel infamously gave Pee-Wee’s Big Adventure a zero-star review, stating “Obviously, Pee-Wee is tolerable only in Pee-Wee doses…” Although that seems unnecessarily harsh, especially in retrospect (now that the film is commonly viewe...

As long as there will be movies, new adaptations of beloved classics will follow. The important aspect for every director to remember is to find a unique angle – a change in tone, a different slant to the narrative, a shift in setting, etc. ...

With his third directorial effort, Kenneth Branagh (who has already done the Shakespearean Henry V and the noir thriller Dead Again) sets his sights a smaller sort of picture. Peter's Friends is a slice-of-life movie that illustrates the reunion o...

The older he has gotten, the more offbeat his films have become. Now, to be clear, Wes Anderson has never been a conventional filmmaker. His movies have always appealed more to niche audiences than mainstream ones. (My favorite of his oeuvre, ...

It has been said that the only way to truly enjoy a stoner comedy is to smoke a joint before watching it. Considering the quality of some of the movies wedded to this genre, I'm tempted to believe that. Thankfully, Pineapple Express is an excepti...