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O Brother, Where Art Thou? is essentially Homer's "The Odyssey" by way of the Coen Brothers with an assist from Preston Sturges (the title comes from the Sturges film, Sullivan's Travels). Or, to put it another way, it's a period piece road movie ...

There are a number of ways one can categorize October Sky. My preference is to call it Varsity Blues for those who don't like athletics. And, while such a facile description threatens to reduce this movie to a plateau far below its worth, it ...

Off the Black trudges through painfully familiar material - the older man/younger boy pseudo father/son relationship - with little regard for the fact that any seasoned movie-goer will immediately sense where the film is headed. The story's lack o...

Official Secrets disrobes a scandal that received scant coverage in the U.S. media when it occurred some 15 years ago. Although hampered somewhat by a fragmented and procedural structure, the film nevertheless makes a compelling argument that ...

Consider this situation: two people approach an intersection from different vantage points. When an accident occurs, they both observe the same facts, yet afterwards their versions of events differ considerably. Neither is lying; rather, it is t...

You know there's a problem when the most interesting character in a film called Oliver Twist is a supporting woman named Nancy. Technically sound and surprisingly faithful to its source material, Roman Polanski's version of Oliver Twist comes acro...

Oliver Twist has never been one of my favorite Dickens novels, so perhaps that’s part of the reason why I’m lukewarm about Oliver!, the stage musical-turned-Oscar-winning motion picture adaptation of the book. It’s an uneven film with a...

On the Basis of Sex is a perfectly adequate bio-pic focused on the early life and courtroom baptism of now-Justice Ruth Bader Ginsburg. Although less illuminating and more filled with Hollywood claptrap than the recent documentary hagiography ...

The recipient of eight Oscars (including Best Picture), On the Waterfront represented a defining moment in the careers to two key participants: actor Marlon Brando and director Elia Kazan. A gritty, uncompromising look at union corruption on the d...

The traditional movie musical may not be dead, but it's on life support, a victim of the changing taste of movie-goers. Once is an effort to provide a musical that works for a modern audience by grounding the situation in reality and cutting out th...