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When J.J. Abrams released Cloverfield in 2008, it arrived cloaked in secrecy. Now, some eight years later, the film’s so-called “blood relative” (Abrams’ term, not mine), comes with a similar marketing strategy. Going-in, viewers are unlikely...

“Give me a child until he is seven and I will give you the man.” This Jesuit motto became the driving force behind The Up Series, a nine-volume (thus far) documentary that has spanned fifty-six years. Begun in 1964 under the direction of P...

For Robert Duvall, The Apostle was a labor of love. It is said that every man or woman has at least one story to tell; this is Duvall's. The film was in the making for over a decade, and, when no studio bought into it, Duvall put up the money...

For Rodney Dangerfield, the stand-up comedian whose catchphrase was “I don’t get no respect,” Back to School provided an opportunity to get more than his share of praise and adulation. The crowd-pleasing comedy grossed $91M, making it th...

Bridget Jones's Diary is, quite simply, the finest motion picture released by Miramax Films since 1999's The Cider House Rules. Based on the novel by Helen Fielding, the screenplay for Bridget Jones's Diary (written by Four Weddings and a Funeral ...

It would be fair to characterize Bridget Jones’s Baby as a huge step up from the previous Bridget Jones outing, 2004’s The Edge of Reason, although it’s not quite in the same league as 2001’s Bridget Jones’s Diary. Why w...

At some point, Universal Pictures apparently recognized that the fourth Bridget Jones chapter lacks an audience. As a result, instead of opening it in U.S. theaters, where it likely would have sunk without a trace, they pivoted and dumped it onto ...

Bridget Jones' Diary was an unexpected delight: a witty, enjoyable trifle that touched the heart while tickling the funny bone. Sadly, Bridget Jones: The Edge of Reason isn't anywhere close to being that good. This has the feel of a movie that e...

Candy is an Australian film that also offers a dose of familiarity. It's one of those drugs-are-hell movies that follows the time-tested path of watching two generally likable characters embark upon the road to self-destruction that results when re...

Cloverfield is to the monster movie as The Blair Witch Project was to the ghost story. This movie is going to divide audiences. There are those who will be unable to endure nearly 90 minutes of constantly moving hand-held camerawork. Some will e...