Movies in the Comedy genre

It's a tough thing for a dysfunctional-family-at-Christmas movie to avoid doses of melodrama, and it's fair to say that The Family Stone contains its share. But the nice thing about the movie is that it avoids overt manipulation. There's some - i...

On the surface, The Family appears to tell a familiar story: a mob enforcer turned informer is placed into the witness protection program while his former associates seek to find and terminate him. What differentiates this from its antecedents is t...

I wish I could be more positive about Fanboys because I understand what the filmmakers are trying to do. Their goal is to provide a Valentine to fanboys and fangirls worldwide - all those who devote themselves to an element of pop culture and ofte...

It’s said that the only two certainties in life are death and taxes. When it comes to the former, the ramifications touch more than just the individual involved. Different cultures address death differently. Despite this, however, there’s ...

Fargo takes the usual "caper gone wrong" storyline and applies a new twist. Based on a supposed series of "true events" from 1987 (a tongue-in-cheek claim made by a screen caption), the film examines what can happen when the police and criminals a...

Because Fast Times at Ridgemont High arrived in movie theaters during the height of the '80s "teenspoitation" era, it has often been unfairly lumped together with Porky's and its successors and copycats. In reality, Fast Times is smarter and more per...

Fathers' Day simply has to be seen to be believed. It's beyond my comprehension how a motion picture with so much talent associated with it -- actors Robin Williams and Billy Crystal, super-producer Joel Silver, and director Ivan Reitman -- can be...

I’m willing to admit that perhaps my expectations were too high for this twisted, offbeat Christmas movie. But, when one considers the title and the premise – Mel Gibson playing a disgruntled, gun-toting Santa Claus – is it any wonder th...

With a sly wit and a dark edge, director Yorgos Lanthimos plunges into the murky waters of early 1700s British politics, where few positions were more enviable and less stable than being the queen’s favorite (or, in Brit-speak, “favourite�...

It's too bad the title The Good, the Bad, and the Ugly was already taken, because it would have been the perfect moniker for Fear and Loathing in Las Vegas, Terry Gilliam's adaptation of Hunter S. Thompson's book (emphasis on "the bad and the ugly"...