Movies in the Drama genre

Top Gun is an ‘80s testosterone fix – a celebration of machismo and a recruiting film for the U.S. Navy. Typical of Jerry Bruckheimer/Don Simpson at their peak, the movie embraces masculine tropes to create a patchwork narrative that is almost...

Top Gun: Maverick is one of those rare breeds: a sequel that’s better than the original. Due in part to the passage of 36 years in between installments, the second film arrives with a less glossy, more serious approach. Cold war rah-rah machismo...

The lives of tortured artists have always made for fascinating film fare. From Amadeus to Mrs. Parker and the Vicious Circle, dramatic re-creations of the often-frenzied, always-tormented lives of "great" men and women have captivated audiences. ...

Towelhead is a victim of the economics of movie-making. Despite being a critical success at the 2007 Toronto Film Festival (where is played under the name of Nothing Is Private), Towelhead has languished on shelves for a full year. With Warner Br...

In some ways, The Town can be considered a throwback, at least insomuch as any movie reflecting the approach of '80s and '90s cop dramas can be tagged with such a label. With a crisp, clear style and a focus on character, director Ben Affleck is a...

The Tracey Fragments uses its non-standard visual style, a split-screen approach that can show from one to sixteen frames at any one time, in a vain attempt to camouflage the paucity of the story. Director Bruce McDonald, working from a script by ...

Trade is a straightforward and uninspired look at the sex trade, where girls are kidnapped and forced into prostitution. To its credit, the film avoids titillation but, at the same time, it is so full of moral outrage that there's no sense of dram...

During the Spring of 1990, I remember being transfixed in front of the television set for an hour each Sunday night over a period of five weeks. The occasion was the "Masterpiece Theater" presentation of the British mini-series "Traffik", a comple...

A wonderful thing about Shakespeare’s canon is that those plays can form the vehicles by which any director’s unique vision can emerge. Laurence Olivier, Orson Welles, and Kenneth Branagh all recognized this. With The Tragedy of Macbeth, Joel ...

Next to Independence Day, Trainspotting may be the most hyped motion picture of the summer. Miramax Films, the distributor that saturated the market with ads for The Crying Game in 1992- 93 and Pulp Fiction in '94, has struck again. Trainspotti...