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Harold and Kumar Escape from Guantanamo Bay exists because it was cheap to make and has a devoted core audience, not because its predecessor, Harold and Kumar Go to White Castle, was a blockbuster. The filmmakers, understanding what made the first...

The Hate U Give is a coming-of-age story – an unconventional one, to be sure, but a coming-of-age story nonetheless. It’s also an exploration of race in America. In an of itself, there’s nothing unique about that but this movie, directed...

Although director Alain Resnais was never a card-carrying member of the French New Wave, his films influenced those who were (in particular, Godard, Truffaut, and Rohmer). Stylistically and thematically, Hiroshima Mon Amour remains one of the ...

Hitch is a pleasant, if slightly overlong, romantic comedy from two men who have forged reputations in the genre. Director Andy Tennant is no stranger to love stories, having previously helmed Fools Rush In, Ever After, and Sweet Home Alabama. And,...

If you're like me, you probably paid little attention to the attempted genocide that occurred during the civil war in Rwanda in the mid-1990s (more than one million people died). I remember reading about it in the papers and occasionally seeing cli...

Hunter Killer is not going to challenge Das Boot for the title of “best submarine warfare film of all time.” By tossing aside the reliable characteristics of the genre (claustrophobic atmosphere, sense of isolation, simmering tension), di...

"Et tu, Brute?" The Ides of March illustrates the universally acknowledged truism that nothing can corrupt idealism more completely than politics. The sad thing about this American tragedy is that not a single twist, turn, or betrayal is difficu...

A glance at Paul W.S. Anderson’s filmography does not inspire confidence, and that concern is proven valid for In the Lost Lands. Watching this production is a strange, almost surreal, experience because at no point does it seem like a movie eve...

Sometimes it's only through the greatest of tragedies and the gravest of injustices that human beings learn to relate to each other honestly and openly. Nowhere is this more apparent than in Jim Sheridan's searing In the Name of the Father, where ...