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For all those who think movies don't have enough naked female flesh, welcome to Mrs. Henderson Presents. It would have been interesting to witness the MPAA's deliberations about this film. There's some violence, but not much. There's no sex or sex-...

Mrs. Miniver began life in 1937 as a series of newspaper columns in The Times - reflections by Jan Struther on everyday life in the U.K. With the onset of World War II, Struther's work took on a darker hue, and the columns were collected and publi...

A film of uncommon depth, intelligence, and sensitivity, Munich defies easy labeling. Watching the movie is like reading a top-notch espionage thriller by Le Carre or Deighton. Yet, at the same time, this is a visual experience. The moral and ethic...

Consider this possibility: a romantic comedy with no nudity, no sex, and no kissing. In fact, there aren't even any declarations of love. The closest the female character comes to admitting her feelings is saying that she could have danced all n...

Movie-goers attend Ken Loach movies for a variety of reasons, but one of them is not to have a "feel good" experience. The reason? Loach consistently looks at believable characters in realistic situations. His pictures are not escapist; they're ...

Okay, no one anticipated that Need for Speed, the motion picture interpretation of the popular (and addictive) series of video games, would resemble Shakespeare. There was, however, a reasonable expectation that some of the adrenaline would transfe...

I can kind-of, sort-of see how this story might work as a novel. Bad dialogue doesn't sound as howlingly awful when not spoken aloud. Idiotic plot contrivances don't seem as painful and obvious. A love affair depends only on the spell woven by t...

Last year, when I heard about a film on the way called Notorious, I was concerned that there would be an "updating" of Alfred Hitchcock's film of the same name. Thankfully, this is not the case. Notorious is not an example of a remake, but it is ...

Three years after the modest 2013 hit Now You See Me, the filmmakers decided to make an ill-advised sequel, even though the original had all the earmarks of a stand-alone film. Sure enough, the second installment underwhelmed, shedding nearly ever...

The Object of My Affection, based on the novel of the same name by Stephen McCauley, is a pleasant romantic comedy that asks (and tries to answer) questions about the nature of love, sex, family, and friendship. And, while some of the solutions ar...