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Tolkien represents a classic standard-order biopic – a high-level profile of someone with minimal flesh on the bones. More like the dramatization of an Encyclopedia Britannica entry than a fully rendered movie, Tolkien provides details about ...

Towelhead is a victim of the economics of movie-making. Despite being a critical success at the 2007 Toronto Film Festival (where is played under the name of Nothing Is Private), Towelhead has languished on shelves for a full year. With Warner Br...

The Trigger Effect, a psychological thriller from David Koepp, opens with an image of coyotes tearing at a dead carcass. An electrical power plant stands in the background. It's a visceral, unsettling scene, and you'd have to be more than a littl...

The "usual suspects" are five men: Dean Keaton (Gabriel Byrne), an ex-cop-turned-crook who's known for his steely demeanor and nerves of iron; Michael McManus (Stephen Baldwin), a psycho entry man; Todd Hockney (Kevin Pollak), a hardware specialis...

Going into this film, I wondered whether the filmmakers would succeed at generating tension out of an event whose outcome is so well-known. Even those with only a rudimentary knowledge of history are aware that Hitler did not die as the result of ...

Veronica Mars is a delightful piece of fan service - a supersized TV reunion episode expanded for viewing in movie theaters. Warner Brothers, unsure of the film’s box office potential, has chosen an unusual distribution model. Simultaneous with t...

Seeing the newly-restored, 70 mm print of Vertigo in a theater is an experience that no fan of Hitchcock, or of cinema in general, should miss. Especially for those (like me) whose sole exposure to the film has been through faded, deterioratin...

Victoria and Abdul, based on (mostly) true events as related in Shrabani Basu’s historical chronicle of the same name, is effectively a sequel to the 1997 film, Mrs. Brown. That movie, directed by John Madden, detailed Queen Victoria’s fri...

It's a pleasant thing to encounter occasionally a movie in which people are portrayed as decent (if flawed) individuals. In The Visitor, there are no human villains. No one wears a black hat. The antagonist is The System - the nameless, faceless...

Put simply, WALL-E is about as charming as movies get. In an animated marketplace where everything is starting to look and feel the same, WALL-E stands out because it exhibits a unique identity without losing its appeal to viewers of all ages. It...