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Is there romance in the afterlife? Does the heart still burn with yearning after it no longer beats? Wristcutters: A Love Story, with a title that easily passes the "truth in advertising" test, would like us to believe so. While the landscape may...

If there’s an obstacle to the potential box office success of X-Men: Apocalypse, it’s the growing sense of superhero movie fatigue. Counting Deadpool, this is the fourth superhero movie to reach screens in the last three-plus months. With...

X-Men: Days of Future Past doesn't feel like a superhero movie, at least not in a traditional sense. There are action scenes but many are suffused with a sense of futility. Battles turn into massacres with the "good guys" on the wrong side of the c...

The easiest way to summarize my reaction to X-Men: First Class is with a shrug. The movie is competently made (and not in 3-D, thankfully), has some nice action sequences, tells its story with workmanlike efficiency, and will probably please fans o...

For X-Men viewers, this is probably as straightforward as it gets: if you liked the first two, you're likely to appreciate the third. X-Men: The Last Stand isn't as taut or satisfying as X-Men 2, but it's better constructed and better paced than t...

The problem with X2 is essentially the same one that plagued X-Men: too many characters, resulting in too little screen time for each one. X2 may be the most ambitious superhero motion picture to date, but it doesn't work quite as well as Spider-...

How, one might ask, does one begin to defend Xanadu? To start with, by looking at it without any pretensions and seeing it for what it is. Conventional wisdom decrees that Xanadu is a horrible film. In a sense, conventional wisdom may be correct...

Certain historical periods provide rich and varied soil for the cultivation of motion picture storylines. The twilight of the Roman Empire is one. The American Civil War is another. World War II marks a third. And a fourth is the Chinese "Cultu...

For his directorial debut, Idris Elba has elected to work in a genre he’s comfortable with – the crime thriller. The actor-turned-director is not, however, content merely to regurgitate bits and pieces of productions in which he has appear...

Forever remembered as the "Japanese Bond", You Only Live Twice takes 007 to the Far East for his fifth screen adventure, Sean Connery's final consecutive appearance as the top British agent (the actor returned to the role twice more: 1971's D...