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Lilya 4-Ever is the third film from Swedish filmmaker Lukas Moodysson, but, in terms of both tone and content, this effort is so different from the director's other work that it's difficult to credit that all three are the product of one man. (Thi...

Lions for Lambs is one of those movies in which the principals talk a lot but don't say much. The film is built not upon characters and plot but upon ideas. That would be fine if the ideas were revolutionary or interesting, but they're fairly com...

After twelve years haunting the shelves of video stores, John McClane (Bruce Willis) has been exhumed. The indefatigable hero of three Die Hard films during the 1980s and 1990s appeared to have reached his "sell by" expiration date with the lacklu...

As a romance, a drama, or even a sports movie, The Longest Ride never reaches a satisfying destination. With its confused, sometimes-contradictory themes and scattershot love story aspirations, the film never gains traction on the shifting sands of i...

Although Looking Glass doesn’t get Nicolas Cage back to where he was in Leaving Las Vegas, it’s leaps and bounds better than some of his recent fare. (Left Behind may be the low point but, considering how many for-hire jobs he has taken in...

Watching Lords of Dogtown, I momentarily became nostalgic for the summer of 1977, when I would ride my skateboard down my inclined driveway, then see if I could make the sharp turn onto the sidewalk without wiping out. But nostalgia is hardly a re...

A single phrase might be all that's necessary to review The Lucky One: "A Nicholas Sparks movie." Sure, Scott Hicks (Shine) is the director and Will Fetters (Remember Me) gets a screenplay credit, but the average movie-goer who settles into a theat...

Eventually, it had to happen: a computer-animated dud. It's surprising it has taken this long, and we have been spoiled by the high quality of the product, with such winning titles as Toy Story, Shrek, Finding Nemo, The Incredibles, and others. B...

Let me start with a few brief editorial comments about Lars von Trier. Key to understanding my views about Manderlay is my disclosure of a belief that in order to be able to criticize something, you have to have first-hand familiarity with it. Vo...