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Like most intelligent movies that dare to demand that the movie viewer think by pondering the question of predestination versus self-determination, First Snow is a downbeat affair. The interest here isn't whether the main character will circumvent...

For Jackie Chan, The Foreigner represents a change of pace. Best-known for light-hearted action/comedies, Chan has never before descended to the level of darkness required by this film. In this thriller, directed by James Bond filmmaker Marti...

Game Night is canny enough to go full-throttle with the absurd and not bother trying to do much with its meager dramatic and/or sentimental elements. Character-building occurs through the comedy and doesn’t extend beyond what’s needed to k...

If I was in the mood for an over-the-hill action hero, I think I'd go with Schwarzenegger. Or maybe Stallone. Or even Liam Neeson. I definitely wouldn't pick Sean Penn. Granted, the two-time Oscar winner has an impressive resume, but he's...

Hotel Artemis has the look and feel of a graphic novel adaptation, albeit with a few pages missing. With its flashy action sequences and Tarantino-wannabe vibe, the movie tries hard to be hip and edgy but ends up simply being uneven. Tonal shi...

Disney’s latest plundering of their own IP library has allowed them to release a live-action film that isn’t a remake of an animated tale. Jungle Cruise represents their third cinematic interpretation of a popular Disneyland/Magic Kingdom ...

It is possible to make a movie in which nearly the entire running length is a car chase. An example of how to do this is Duel. An example of how not to do it is Kidnap. The problem with this bottom-of-the-barrel thriller is simple enough to ide...

Stunt coordinator-turned-director J.J. Perry, making his sophomore feature, knows what he wants from his movie and understands the B-movie aesthetic necessary to get it. And there are times when The Killer’s Game works on that level. The stunts ...