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Perhaps the best way to approach Black Bear is to watch it as two distinct short films (each a little under an hour in length) featuring the same primary trio of actors: Aubrey Plaza, Sarah Gadon, and Christopher Abbott. Putting aside the “conne...

For Black Mass, Johnny Depp has dusted off his A-game, which has lain dormant for far too long. The actor's transformative portrayal of Whitey Bulger reminds us that Depp, when motivated, can do impressive work. By inhabiting the character rather...

Bart Layton’s Crime 101, his first narrative feature in eight years, falls squarely into the category of movies that should be better than they are. With an ensemble cast of this caliber—featuring Chris Hemsworth, Mark Ruffalo, Halle Berry, Ba...

Floating around the art house circuit these days is a restored version of Henri-Georges Clouzot's 1955 murder mystery, Diabolique. Easily overlooked because of its limited re-release distribution, this picture may demand some active searching to u...

Everybody's Fine explores universal themes - concepts that many sitting in the audience will relate to from one perspective or another. It's about the ways in which the expectations of a parent can shape the life of a child - both in terms of what...

Sergio Leone's A Fistful of Dollars is notable for two things: it was the first of a new motion picture subgenre that flourished during the mid-to-late-'60s and it boosted the image of one of America's most durable stars. When A Fistful of Do...

Rags to riches stories are a Hollywood staple. They’ve been around for as long as movies have been around because viewers love a yarn about how a ne’er-do-well, propelled by a combination of luck and hard work, makes good. It’s a dr...

A well-known saying goes something like, "In for a penny, in for a pound," and that seems to be an appropriate way to begin a discussion of John Maybury's The Jacket. A moody psychological thriller tinged with science fiction elements, The Jacket ...

It’s unusual for a series lasting four movies to follow the consistent downward trend evidenced by The Matrix cycle. The first movie, 1999’s The Matrix, started things off with a bang. Sadly, the first sequel, 2003’s The Matrix Reloaded, was...

The Postman, an Italian film from British director Michael Radford (White Mischief, The Elixir), is a charming piece of cinema that takes several comfortable formulas and expands upon them in ingenious and emotionally-satisfying ways. There's a li...