ReelViews for PG-13 movies

After the Sunset is a mess, but it's a breezy, fun mess. No one is ever going to mistake this for great art, but it has a charismatic cast, moves with an effortless pace, and, in the end, almost makes you forget that it doesn't do anything memorab...

After the Wedding is a throwback of sorts – a return to the days when a common reason for creating a remake was to take a foreign language film and translate it into English. For this project, writer/director Bart Freundlich has turned to Su...

Note: This review includes spoilers for the movie Interstellar, believe it or not. The Age of Adaline wants viewers to think of it as a modern-day fairy tale. Such a conceit, however, can be seen as an excuse for slipshod writing. The need to judg...

Alex Cross, loosely adapted from the novel Cross by James Patterson, has all the earmarks of something contorted and condensed to fit into the 100-minute time limit imposed on mass marketed motion pictures. Parts of the movie feel inexcusably rushe...

Ali, Michael Mann's attempt to chronicle ten pivotal years in the life of former heavyweight boxing champion Muhammed Ali, suffers from the most common ailment of motion picture biographies – trying to do too much in a limited time. While Al...

Alien Vs. Predator is a gimmick - an all-too-blatant attempt to lure fanboys away from their computer games and into theaters. It's not likely that the movie will be of great interest to anyone else, except perhaps as a curiosity. As an attempt to...

On the one hand, it’s possible to express deep admiration for the world-building and storytelling of Alita: Battle Angel and to offer praise and credit to director Robert Rodriguez and co-writer/co-producer James Cameron for providing a rive...

Over a career that has spanned more than a half-century, Robert Redford has played his share of interesting and well-remembered roles, from The Sundance Kid (Butch Cassidy and the Sundance Kid) to Bob Woodward (All the President's Men) to Roy Hobbs...

With remakes the likes of Poseidon, The Pink Panther, and The Wicker Man already dotting 2006's cinematic landscape, why not provide a new take on the 1949 political thriller, All the King's Men? In actuality, writer/director Steven Zaillian claims...

With remakes the likes of Poseidon, The Pink Panther, and The Wicker Man already dotting 2006's cinematic landscape, why not provide a new take on the 1949 political thriller, All the King's Men? In actuality, writer/director Steven Zaillian claims...