ReelViews for R movies

Reaction to The Weather Man may depend upon an individual's ability to tolerate spending 100 minutes in the company of an unpleasant protagonist. There's no doubt this can be an uncomfortable experience, but it can also be rewarding for those who ...

Please note: Obvious references to Animal House, Porky's, American Pie, and Old School will not be used in this review. Whether appropriate or not, those titles will not appear. During the first ten minutes of Wedding Crashers, we are treated ...

An intriguing blend of globetrotting neo-noir and road trip plot elements, The Wedding Guest often seems on the cusp of greatness without ever getting there. The film classifies more as a disappointment than a success because, despite its litt...

Kevin Hart may be the next great raunchy comedian movie star - a high-energy performer capable of juggling drama and comedy while following in the footsteps of Robin Williams, Eddie Murphy, Jamie Foxx, and others. If that's the case, The Wedding ...

The best thing that can be said about Welcome to Me, as written by Eliot Laurence and directed by Shira Piven, is that it attempts to portray the real Borderline Personality Disorder as opposed to the Hollywood movie version of the disease. Unfortuna...

Considering the wealth of material provided by the recent tragedy in Bosnia, it's surprising that Michael Winterbottom's Welcome to Sarajevo is the first major Western motion picture to take place in the war-torn country. It's possible to argue th...

Welcome to the Dollhouse, which won the Grand Jury Prize at the 1996 Sundance Film Festival, is Todd Solonz' counterattack against the Wonder Years nostalgia that clouds movie memories of adolescence. After all, junior high school isn't the en...

Wendy and Lucy is a love story, but not of the conventional sort. It's about how the vagaries of fate can sabotage a seemingly bright future and tear apart two dear companions. It's about the desperate search of one to find the other in a place wh...

It's been more than fifteen years since the release of John Carpenter's Halloween, and ten since Wes Craven's A Nightmare on Elm Street. Each, in its own way, was a top-of-the-line horror flick -- a film that relied more on chills and thrills than...

At first glance, it appears that The Whale might represent a “return to form” for Darren Aronofsky, who has been taking a walk on the strange side with his previous two features, Noah and mother! Alas, despite some interesting performances, th...