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The full title of Hobbs & Shaw is “Fast & Furious Presents: Hobbs & Shaw.” By referencing the “parent” franchise in the name, Universal Pictures reminds viewers that this is attached to the behemoth franchise that, over the course of e...

It's 1693 and a trio of witches (Winifred, played by Bette Midler; Sarah, played by Sarah Jessica Parker; and Mary, played by Kathy Najimy) are preparing a spell that will ensure them immortality and eternal youth. However, before the magic is...

The Holiday is no vacation. Sloppy writing, an overindulgent editor, and poor casting have taken an intriguing premise and transformed it into an uneven mess. The movie follows the lives of two women at Christmastime who trade houses. One story,...

It is my fondest dream that some day filmmakers will realize that great visual effects do not by themselves equate to a worthwhile motion picture experience. However, until that state of cinematic utopia arrives, audiences will be forced to endure...

John Sayles is one of the last true independent American filmmakers. Honeydripper is his 16th feature and he has made all of them on his own terms without studio interference. (He sells them to distributors once they are in the can.) To date, his...

Many will claim that Hoosiers is the best sports movie ever made. For me, it's in third place, trailing only The Natural and Rocky. Some will argue that Hoosiers deserves "extra credit" because it is based on a true story - how the small-town Mil...

Hope Springs has the unusual distinction of providing a sample of what an Ingmar Bergman movie might be like if made for mass American consumption. The production leavens the painful psychological introspection that defined the Swedish director's b...

Hoppers is Middling Pixar. By that, I mean that it's a perfectly fine animated film, especially for kids, but not an exceptional one. It lacks the unquantifiable magic that has imbued the best of the studio's offerings, operating instead withi...

Low, gray clouds scud across the sky while the grass of a seemingly-endless plain ripples in response to the prompting of a spring breeze. Thunder rumbles in the distance. On another day, a bright sun gazes down on those same fields while cattl...

The Host is a strange little movie: part creature feature, part social commentary, and part slapstick comedy. The problem with the film is that the sum isn't greater than the parts and the pieces don't fuse in a way that's consistently pleasing or...