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No one can accuse Martin Scorsese of not moving with the times. His latest production, Killers of the Flower Moon, follows in the footsteps of The Irishman in recognizing that the bulk audience will stream the film at home. So, although Scorsese h...

It’s clear that director Judd Apatow is comfortable collaborating with stand-up comedians on projects that contain at least some autobiographical details. The King of Staten Island represents his third such film, following in the wake of Fun...

Across-the-board strong performances represent the upside of King Richard, director Reinaldo Marcus Green’s part bio-pic/part hagiography of Richard Williams (Will Smith), the (in)famous father of all-time tennis greats Venus (Saniyya Sidney) an...

Obvious Stand By Me references aside, The Kings of Summer comes across as little more than a TV sitcom with enough swear words included to earn it an "R" rating. There's a little John Hughes vibe here, too: the adults are all idiots and the kids ar...

When a movie is made based on a book that millions of people have read, the first question asked often pertains to the faithfulness of the resultant cinematic product to its written inspiration. In the case of The Kite Runner, director Marc Forste...

As a big-budget B-grade monster movie, Kong: Skull Island is a home run. It offers all the tropes and clichés one expects from this sort of endeavor, sparing no expense when it comes to special effects. As a King Kong movie, however, Skull Island is...

Although the subject matter of divorce no longer carries the whiff of controversy and scandal it once did, Kramer vs. Kramer has lost none of its power in the forty years since its release. That’s because, although divorce has been normalize...

The Last Picture Show is a character study in the truest sense of the term: a movie in which the narrative is just a mechanism by which we get to know the men and women inhabiting a small-town Texas community in the early 1950s. For director ...

The historical epic has been a staple of the motion picture industry since the silent era. Over the years, it has evolved to mesh with the times and meet audiences' expectations. Viewers in the 1910s got D.W. Griffith's racist Birth of a Nation, ...