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A marriage between the creative talents of David Mamet and Edward Zwick might seem to be an unlikely union but, in the case of 1986 feature About Last Night..., it is surprisingly effective. Zwick, best known for the emotional resonance he brings ...

When one considers movies and pies, the first title likely to come to mind is American Pie, one of the defining comedies of the 1990s. Although Joshua Lester’s 2021 feature debut isn’t going to change that, the indie rom-com offers a different...

Under the best of circumstances, a relationship demands work and nurturing. Like a plant, it must be carefully tended after it sprouts and guided to maturity. Neglect can cause it to wither or become stunted or overgrown. Adam chronicles the rela...

Perhaps the most surprising thing about The Adjustment Bureau is that, irrespective of the misdirection of the trailers and T.V. spots, this is more of a romance than a science fiction thriller. That's not to say the Twilight Zone aspects of the mo...

Over the course of a 26 year career that encompassed more than 75 movies, Humphrey Bogart made only five color films. The first and most respected of those was 1951’s The African Queen, the last of five pictures he made with his good friend,...

All the Real Girls is an anti-Hollywood romance; a tonic for all those weary of the usual cinematic overglamorization of love. Anchored deep in the bowels of reality, this movie proves that love can be just as affecting and effectively realized wh...

During the first two decades of his movie career, Cameron Crowe was a critical and popular darling, turning out titles like Fast Times at Ridgemont High (which he wrote), Say Anything (wrote/directed), Jerry Maguire (wrote/directed), and Almost Famou...

Usually, the problem with romantic comedies is that, although the "romantic" part of the equation works, the "comedy" aspect falls flat. With Along Came Polly, it's the other way around. The film, written and directed by John Hamburg (Safe Men), ...

Years ago, while watching Delicatessen (in 1992) and The City of Lost Children (in 1995), I wondered which of the co-directors, Jean-Pierre Jeunet or Marc Caro, was more responsible for the films' quirky tone and striking visual style. Although Ca...

American Pastoral is another in a long line of movie adaptations of revered novels that lose something significant in their translation from page to screen. Although it’s not possible to argue that Philip Roth’s 1997 Pulitzer Prize-winnin...