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Having watched Luc Besson’s Dracula as a companion piece to Guillermo del Toro’s Frankenstein, I have reached a grim conclusion: it is time to let these two iconic monsters sleep forever. No matter how "unique" a director’s vision may be, or...

In recent years, there has been no shortage of American male-centered LGBTQ movies, with one (Moonlight) winning an Oscar. When it comes to lesbian stories, however, pickings have been slim. Although there have been international options (incl...

The DUFF would make John Hughes smile. With its mixture of wit, teen friendly situations, and heart, The DUFF feels like something that might have come out of Hughes' '80s playbook. Although the film understands its target audience, its appea...

JenniCam. August Live. BaddGrrl Live. GiggleCam. These are just a few examples of one of the Internet's hottest commodities: cam sites - web pages designed by exhibitionists with voyeurs in mind. Sure, some of them are just thinly-disguised s...

Following scathing audience reaction to a "work copy" of Elizabethtown shown at several major late-summer film festivals, writer/director Cameron Crowe went back to the drawing board, paring down the 138-minute "director's cut" to a slightly more m...

It's the romantic buried inside each of us that responds to movies like Emma. Sure, the film, like the Jane Austen novel upon which it is based, is laced with wit and sophistication. And, although it contains enough social commentary and char...

William Shakespeare. Charles Dickens. Jane Austen. Those three authors are perhaps the most frequently adapted writers of classic novels in the relatively short history of cinema. There’s a reason for that. The timeless nature of their outpu...

The problem with End of Watch, a gripping police drama, is director David Ayer's stylistic decision to shoot nearly the entire movie tripod-less. Or, to put it another way, there's a whole lotta shakin' going on. Much of End of Watch could almost f...

For those who have forgotten the depth of romance and passion that the movies are capable of conveying, Anthony Minghella's The English Patient can remedy the situation. This is one of the year's most unabashed and powerful love stories, using...