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Sometimes, it's virtually impossible to understand how things work in Hollywood. Crap like Captivity and Norbit get releases while offbeat, enjoyable productions like Romance and Cigarettes languish. The film received its world premiere two years...

After watching Ruby Sparks, I asked myself a question: Did I enjoy it as much as I did because it brings such a breezy perspective to a tired genre or because it offers a unique point-of-view of creativity and the writing process? I'm not sure Ruby...

For years now, there have been discussions about a sequel to the surprise 1990 romantic comedy blockbuster, Pretty Woman. Aside from once again propelling Roy Orbison's title tune up the pop charts, that film had the distinction of establishing Ju...

These days, Hollywood seems to be almost entirely bankrupt of new ideas. For bursts of inspiration or innovation, the movie-goer increasingly has to seek out independent motion pictures. What we are getting more and more from the big studios is a...

In the 1940s and '50s, star power drove movies. Staples of cinema like plot, character, and photography were often of secondary importance to who topped the marquee. Well-known actors could draw large crowds to a bad movie, while obscure name...

It's pointless criticizing a Nicholas Sparks movie for being a Nicholas Sparks movie. Sparks, like Barbara Cartland before him, delivers exactly what his fans want: romance between two attractive people. He tugs at heartstrings, acts like an onion ...

Arguably, the biggest hurdle to clear for Salmon Fishing in the Yemen is its title. Let's be frank - how many viewers will be excited by the prospect of seeing a movie about salmon fishing in the Middle East? And the name is neither allegorical nor...

Say Anything is one of the best in a long line of teen romance movies, if not the best. Unlike many of its fellow genre entries, it is not filled with crude sex jokes, nudity, a lobotomized population, and poorly-defined subplots. And, while ...