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Anyone who saw Todd Solondz's breakthrough feature film, Welcome to the Dollhouse, has the kernel of an idea about what to expect from the director's latest effort, the ironically-titled Happiness. Welcome to the Dollhouse is a dark comedy tha...

Ice Age: Collision Course, the fifth installment in this lamentably long-lived animated franchise, is the last Ice Age movie I intend to see. In a way, this review is superfluous. That’s because Ice Age: Collision Course isn’t a movie. Oh...

Watching Imagine That, I was beset by a feeling of intense depression. Is this what Eddie Murphy has become? Once moviedom's most high-octane comedian, a combustible mixture of raunchy, non-holds-barred verbal repartee and kinetic physical mayhem...

In 1998, Todd Solondz's Happiness became one of the most talked-about and controversial indie films of the year - a black comedy that ventured into David Lynch territory to expose the rot underlying the placid exterior of suburbia. At the time, Hap...

Saturday Night Live movies generally come in two categories: inspired comedies and woefully inept, borderline-unwatchable dreck. Unsurprisingly, considering the difficulty (not to mention the wisdom) of transforming a five-minute sketch into a 90-...

Have you ever seen a tabloid headline like this: "Woman gives birth to son of six-headed alien"? Men in Black, the new science fiction comedy from cinematographer-turned-director Barry Sonnenfeld (Get Shorty), postulates that such stories are not...

Watching No Sudden Move, the thought came to me that, if I didn’t know the director beforehand, I might guess Steven Soderbergh or the Coen Brothers. It’s the kind of production that only those filmmakers (or their proteges) would make, using...

With Now You See Me, director Louis Leterrier has taken a page out of the book of his characters: use sleight-of-hand so viewers are distracted from some rather obvious screenplay deficiencies. By employing a fast-moving, high-energy approach that...

2013’s Now You See Me wasn’t just about showmanship and misdirection, it was showmanship and misdirection. Brought to the screen by the sure hand of director Louis Leterrier, this was a triumph of style over substance - a flashy, fast-pac...

Palindromes, the fourth feature from Todd Solondz, makes me wonder whether this director only had two good films in him. A shallow, transparent satire/social commentary, Palindromes lives and dies on a gimmick. In an attempt to do something "artist...