Search for State

The primary draw for Water for Elephants is the pairing of Reese Witherspoon and Robert Pattinson (ignore the ten year age gap) in a love story based on the best-selling novel by Sara Gruen. Sadly, passion and romance are two ingredients missing fr...

Consider it Free Willy with the Loch Ness Monster. It's that kind of family-friendly movie - one that focuses on the friendship between a lonely boy and an animal. In this case, the animal happens to grow up to become Nessie. The story is clever...

The makers of Waterworld, the current holder of the "most expensive film" title, have put a good portion of the money where the viewing public can see it -- on the screen. This production, with its massive explosions, amazing stunts, and breathtak...

The Way Back conflates a sports movie with the tale of an alcoholic struggling to overcome his addiction. It plays out a little like a cross between Hoosiers and Manchester by the Sea. Although director Gavin O’Connor and writer Brad Ingelsb...

As the end credits for The Way Way Back started to roll, I found myself wistfully wishing there could be a sequel to this movie. It's not because the narrative feels incomplete or because there are dangling plot threads. Instead, it's simply becaus...

We Are Marshall is precisely what one expects from a true sports story: it's uplifting and inspiring. Although the film does not ascend to the pinnacle of its genre (arguably occupied by Hoosiers), it's not too far down the mountain and the added ...

After the twin disappointments of Vanilla Sky (which critics generally liked but the public did not) and Elizabethtown (which was equally dismissed by critics and the general movie-going populace), Cameron Crowe has hunkered down in relative obscur...

Tilda Swinton is a chameleon unafraid of any subject matter, no matter how hard-hitting or difficult. She has appeared in one of the most emotionally crushing films I have ever seen, Tim Roth's The War Zone, and her performance in We Need to Talk a...

Loyalty. Betrayal. Violence. Family. Those are the crucial staples to be found in any crime drama worth viewing, and writer/director James Gray shoehorns them into his high wattage effort, We Own the Night. Despite a plot that occasionally creaks...

In some ways, the 1980s represent the perfect era in which to set a slasher – recent enough for the societal norms to be recognizable but prior to the advent of such plot twist-busting devices like the cellphone and the Internet. Mark Meyers...