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Spoiler Alert: This movie contains spoilers for those who haven't seen the 1979 movie or the trailer for the 2006 version (which gives away what I'm going to reveal). Something went terribly wrong during the production of When a Stranger Calls...

When Harry Met Sally, probably Rob Reiner's most popular film to date (the other likely candidate for that title would be A Few Good Men), made the studios aware that, even during the cynical '90s, the romantic comedy could be a profitable genre. ...

Those who were regular viewers of Veronica Mars recognize there's an immense wellspring of charisma available to Kristen Bell that she has thus far been unable to tap in her post-Mars career. When in Rome, despite being a standard-order romantic c...

When the Game Stands Tall is one of those cliché-riddled feel good movies that, by trying too hard to be inspirational, ends up as cloying and overly sentimental. At first glance, the narrative trajectory might seem to be on a different vector fr...

When We Were Kings, a documentary about the Muhammad Ali/George Forman heavyweight "Rumble in the Jungle" boxing match, is a wonderfully nostalgic, and occasionally insightful, window into an event nearing its 50th anniversary. By nature, ho...

The screen adaptation of Delia Owens’ Where the Crawdads Sing, written by Lucy Alibar and directed by Olivia Newman, comes with a built-in audience – the novel has (to date) sold 12 million copies and, if only a fraction of those readers pays ...

Welcome to the lurid world of Atom Egoyan, B-grade schlock filmmaker. Until seeing Where the Truth Lies, I never would have considered applying this title to Egoyan, the eclectic filmmaker of some of the '90s most compelling features (Exotica and T...

Where the Wild Things Are may be the first family film in recent memory to rely not on narrative or character development but on ideas and the director's vision. The result is an involving experience for all but the most fidgety children and an op...

Although Where’d You Go, Bernadette suffers from an ungainly structure and uneven pacing, the production as a whole is engaging and uplifting. This is due in part to the strength of the cast but also owes something to director Richard Linkla...

While We're Young offers two movies for the price of one.  The first, about a married couple in their 40s coping with being rootless and middle-aged while lamenting the loss of their youth, is smartly-observed and relatable.  The second...