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It's a testimony to the enduring popularity of the story of Mutiny on the Bounty that it has been represented cinematically five times. In addition to the Oscar-winning 1935 production, which is arguably the best of the bunch, there are four other...

The Neon Demon isn’t only the title of this film, it’s a description of what it represents. Beneath the pulsating music and strobe-lit fluorescent visuals, this is as pernicious and invidious a motion picture as one is likely to discover ...

The best thing that can be said about the second Night at the Museum (which bears the unnecessarily long full title of Night at the Museum: Battle of the Smithsonian) is that it's harmless. And pointless. And dumb. This is a perfect example of a ...

The Object of My Affection, based on the novel of the same name by Stephen McCauley, is a pleasant romantic comedy that asks (and tries to answer) questions about the nature of love, sex, family, and friendship. And, while some of the solutions ar...

On the Basis of Sex is a perfectly adequate bio-pic focused on the early life and courtroom baptism of now-Justice Ruth Bader Ginsburg. Although less illuminating and more filled with Hollywood claptrap than the recent documentary hagiography ...

The recipient of eight Oscars (including Best Picture), On the Waterfront represented a defining moment in the careers to two key participants: actor Marlon Brando and director Elia Kazan. A gritty, uncompromising look at union corruption on the d...

For his tenth feature film, writer-director Paul Thomas Anderson once again reinvents himself. A filmmaker who has consistently resisted pigeonholing with projects as diverse in tone and content as Boogie Nights, Magnolia, and Phantom Thread, Ander...

Arguably, some of the issues addressed by One Flew Over the Cuckoo's Nest are not as relevant in 2006 as they were in the mid-1970s, but that realization in no way diminishes the film's dramatic impact. This was the second English language film fo...

True-life stories of heroism and sacrifice are commonplace; good movies about those stories aren’t. Only the Brave recounts the tale of The Granite Mountain Hotshots and the challenges they faced when fighting wildfires during the years leadi...

Other People’s Money, the motion picture adaptation of Jerry Sterner’s 1989 play, opens with a deliciously cynical monologue by Danny DeVito that captures public perceptions from the era: “I love money. I love money more than I love the ...