Search for The Thing

With the tenacity of a bulldog, Spike Lee ruthlessly and sometimes recklessly defies mainstream expectations and courts controversy with every film he releases. Some find Lee to be a fresh and powerful voice in American cinema – a man who is una...

The biggest thing The Little Things has going for it is that it’s not a run-of-the-mill mystery/thriller. The most significant potential problem, especially with respect to mainstream acceptance, is the ambiguity of the resolution. Some view...

It took a while for Groundhog Day to start spawning knock-offs but, once it did, the déjà vu-inspired movies turned from a trickle to a torrent. There have been sci-fi variants (Edge of Tomorrow), Blumhouse horror fests (Happy Death Day), an...

There are generally two kinds of Christmas movies: those designed for family audiences and those that should probably have aired on the Hallmark Channel instead of opening in a movie theater. Nothing Like the Holidays belongs in the latter categor...

When The Sure Thing was released in 1985, it was out of step with the times. Teen comedies in those years were saturated with sex and broad humor. Romance and realism (even to a modest degree) were undesirable relics of a bygone era. Nevertheles...

James Marsh's The Theory of Everything is an unremarkable bio-pic about a remarkable man. Its ordinariness is in large part compensated for by an extraordinary performance from lead actor Eddy Redmayne. Those looking for a chronology of the life of...

The Farrelly Brothers' first two films, Dumb and Dumber and Kingpin, were outrageous, uncouth, bawdy, and unapologetically lowbrow. Their third film, There's Something about Mary, is all of those things and one more: hilarious. I rarely chuckl...

When it was released in 1982, John Carpenter's remake of Howard Hawks' 1951 science fiction classic The Thing from Another World spurred much debate about not only which film was more effective but whether Carpenter's version fit better into the sc...

The same questions accompany The Thing that accompany any revival of an '80s property, be it Conan the Barbarian, Fright Night, or Footloose (to name only a few of many, many candidates). First and foremost is "Why?" However, while it may seem unne...

Things We Lost in the Fire represents Danish-born Susanne Bier's first foray into studio-funded American cinema. The transition is seamless - Bier's signature style of simple shots and frequent close-ups remains intact and her choice of material f...