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There's no doubt that the subject matter tackled by Arlington Road is topical. Terrorism at home is a very real danger in this current climate of world uncertainty, and, arguably, a greater danger is posed to U.S. security by radical political gro...

Deep Impact has been buried. Godzilla's size didn't matter as much as TriStar hoped it would. Six Days, Seven Nights took about that long to come and go. Now it's time for Bruce Willis to kick asteroid. Recalling the amazing box-office assa...

Everyone has their own coming-of-age story. For most, it has meaning for only one person; it’s rare that a coming-of-age experience translates into a universal story. Kenneth Branagh’s Belfast is an example of one that does. James Gray’s Arm...

To give director John Stockwell and screenwriter Matt Savelloni, at least Armed Response isn’t the generic shoot-’em-up I was expecting. There are some legitimately intriguing ideas explored in the film and, familiar though the concept of ...

Ash (Bruce Campbell) is a housewares salesman at an S-Mart department store before a venture to the house from The Evil Dead and The Evil Dead II sends him through a time tunnel into the Middle Ages. Suddenly, as the "Promised One" of prophesy, he i...

Army of the Dead isn’t director Zack Snyder’s first dance with the undead. His feature debut, 2004’s Dawn of the Dead, had him remaking the George A. Romero horror classic. 17 years later, after spending a significant portion of his film...

For a current-day viewer to contemplate how Around the World in 80 Days won the 1957 Best Picture Oscar (in addition to four other statuettes), either imagination or time-travel is required. (The latter being more appropriate for H.G. Wells th...

The scenario presented in Arrival isn’t new - motion pictures have been dramatizing an event of this sort almost since moving images first flickered on a big screen. We wonder about it, dream about it, imagine it, and write about it. Popular te...

The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast an...

For Art School Confidential, director Terry Zwigoff has re-teamed with Daniel Clowes for an offbeat and bitingly satirical look at the college era coming of age story. Considering Zwigoff's resume, which includes Bad Santa and Ghost World (based o...