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Unimaginative horror movies are a dime a dozen, but overlong, boring, unimaginative horror movies? Those are rare. However, in Split, that’s what writer/director M. Night Shyamalan has provided the early 2017 movie-going populace. Since his suc...

Spoilers (including revelations about the ending)!By 1987, the (first) slasher-film craze had reached its apex. Proven box office winners because of their gory appeal, slashers could be made for next-to-nothing and almost always turned a profi...

There's no shortage of literature and cinema about human beings afflicted with Alzheimer's or some form of dementia. The near universality of the caregiver's experience, one of the most painful trials any person can be asked to endure, is one reaso...

It's not Casablanca, or even Die Hard, for that matter. But then no one expected it to be. What Tomb Raider can claim is that it's the best computer game-turned-motion picture to date. A backhanded compliment? To be sure, but at least the exper...

True Grit, one of the best films of 2010, is a reminder of why remakes are not always bad. The Coen Brothers' interpretation of the 1968 Charles Portis novel is superior in almost every way (except one) to the 1969 Henry Hathaway edition. And, whil...

Clint Eastwood's reputation as a Hollywood icon was founded on two roles: The Man with No Name, who starred in three of Sergio Leone's "Spaghetti Westerns" (A Fistful of Dollars, For a Few Dollars More, The Good The Bad and the Ugly), and "Dirty" H...

V/H/S is a low-budget effort that applies the first person/"found footage" approach to a horror anthology. Or, to put it another way, it's two hours of nausea-inducing shaky cam footage that fails to tell a coherent or engrossing central story. It'...

Violent Night, Tommy Wirkola’s contribution to the Santa Claus legend, is better than it has a right to be but not as good as it could have been. Using a similar premise to the one botched by 2020’s Fatman (with Mel Gibson as the Man in Red), ...

There are countless ways a motion picture can address themes of loss and grief. While one can at least give Tara Miele’s Wander Darkly props for trying something different, the film’s success is questionable at best. In trying to blend a T...