Well-made but uneven, "The Front Runner" is a less a film for general movie-goers than for political junkies.
Does an excellent job assembling pieces and preparing viewers for the larger picture but disappoints in its ability to tell a stand-alone story.
McQueen achieves his aim of using a genre framework to advance serious themes, which makes "Widows" an uncommonly good thriller.
With the exception of a few slow spots, this "Braveheart" quasi-sequel flows briskly and is one of the better “Netflix originals” the service has provided.
A generic espionage/crime thriller; although briskly paced, the plot is far from airtight and demands a deus ex machina to reach its climax.
“Hollow cash grab” is one way to describe "The Grinch." Equally appropriate would be “soulless abomination.”
Reports about what goes on behind the closed doors of Conversion Therapy camps have been in the press for years and the film’s vivid presentation engages the viewer on a visceral level.
McCarthy plays it straight, allowing her talent as an actress – often hidden under the dreck for which she draws big paychecks – to shine through.
A superficially entertaining science-fiction action/adventure film that might have worked better had it focused more on the “science fiction” elements and less on the “action/adventure” ones.
The performances of Charlene deGuzman and co-star John Hawkes keep the viewer engaged as the screenplay touches all the expected bases.