Has a free-spirited sense of fun and mischief that allows the viewer to uncover something more enjoyable than the monotonous sameness of the CGI overload.
We know what the Minions are and they deliver no less (or more) than we expect from them.
As much about atonement and forgiveness as it is a critique of Colonial attitudes of racism and white supremacy that are deeply entrenched in Western society.
- Dec 31st 2021 | Rewinding 2021: The Year in Film (Including the Top 10)
- Jan 16th 2021 | Rewinding 2020: The Year in Movies (The Top 10)
- Feb 2nd 2020 | Berardinelli's Ballot: The 2020 Oscars
- Dec 31st 2019 | Rewinding 2019: The Year in Review
- Dec 26th 2019 | A Look Back at the 2010s
- Jul 31st 2019 | The 2019 Halftime Top 10
- May 1st 2019 | ReelThoughts Daily Free Preview Information
Genre fans may perceive it as good enough to scratch an itch but no matter how well it incorporates the Jane Austen tropes, it’s hard to see this as more than obligatory and unnecessary.
At times frustrating and at times exuberant, the movie is effective in capturing both the triumph and tragedy of the title character’s life.
Brings back memories of when “horror” meant more than an assembled sequence of shocks and blood-soaked cliches.
Derivative and forgettable; fitfully entertaining but ultimately lacking.
It features enough eye candy to keep most kids engaged and boasts just enough heft that adults won’t spend 100 minutes looking at their watches.
The screenplay, which effectively balances comedic moments with dramatic ones, has some uneven moments, but Thompson’s performance never wavers.
Although it functions as a warped, modern-day fairy tale, there’s more than a little bit of truth to be found just beneath the surface.