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In all the years I have watched James Bond movies, I will confess to rarely having been shocked by a narrative development or twist. Prior to No Time to Die, there was one exception: the conclusion of OnHer Majesty’s Secret Service, when Bond...

Nobody plays like a less frenetic, grittier version of John Wick with 58-year-old Bob Odenkirk standing in for 56-year-old Keanu Reeves (who was 49 when the first film of the now-franchise was made) as the middle-aged guy nobody should screw w...

Classifying The Novice is a challenge. Lauren Hadaway’s feature directorial debut treads a daring line between drama and psychological horror. By presenting the film through the eyes of the main character, college freshman Alex Dall (Isabelle Fu...

Warning: This review contains general spoilers. Although these have been revealed in the film’s trailer, they may provide more information than some readers prefer.Sometimes the worst thing that can happen to a filmmaker is to have an unexpe...

One of the age-old questions about movies is whether a terrible ending can ruin an otherwise solid motion picture. In the case of Oxygen, the bad aftertaste from the contrived and unconvincing conclusion diminishes the experience but doesn’t...

Parallel Mothers, Pedro Almodovar’s 15th movie since exploding onto the international scene with Women on the Verge of a Nervous Breakdown, is two movies crammed into one and both suffer at least a little by having to share time with the other. ...

The realities that human beings create around themselves are, by their nature, fragile things – some more fragile than others. In her directorial debut, actress Rebecca Hall addresses the malleability of identity via her adaptation of Nella ...

Powerful and bruising at its best, The Power of the Dog excels at character development – something that has always been in director Jane Campion’s wheelhouse. The pacing, however, is uneven. The movie is slow to start and ends on a note that ...

Profile belongs to a burgeoning genre of low-budget films that have collectively been dubbed “screenlife” movies. The natural successor to “found footage” productions, these narratives are presented entirely on a faux computer screen, ...

Distilled to its essence, Raya and the Last Dragon could best be called “quintessential Disney” in that it incorporates many of the tropes viewers have come to associate with the Magic Kingdom’s generic animated films. Although the film�...