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Dune: Part One, the first chapter of Denis Villeneuve’s ambitious attempt to re-create Frank Herbert’s seminal 1965 novel for a generation not scarred by David Lynch’s misfire, became the reason for many shuttered individuals to venture back...

As long ago as the early 1980s, before the Dungeons & Dragons role-playing game entered the mainstream, there was talk of a D&D movie. I can recall being at a gaming convention and listening to E. Gary Gygax, the creator of Dungeons & Dragons, dis...

In order to be successful, Dungeons & Dragons: Honor Among Thieves needed to achieve at least three objectives: remain sufficiently faithful to its source material not to alienate the core audience, offer a broad enough story to attract non-gamers...

A unique romantic comedy, unfettered by the normal expectations of the genre, is a rare and wondrous thing. That's precisely what director Michel Gondry, working from a screenplay by Charlie Kaufman (Being John Malkovich, Adapatation), delivers. ...

Failure to Launch fails at more than just launching. It fails at romance and comedy. It fails to make the lead characters interesting and their love affair believable. And it fails to develop a consistent tone that would enable viewers to suspend...

Final Account may ultimately be more important for the voices it immortalizes than for its worth as a conventional documentary. The film’s mission is simple: seek out as many ex-Nazi survivors as could be found at the time of the production ...

Based purely on the misleading trailers that herald First Sunday's arrival in theaters, one might be forgiven thinking this is another dumb comedy about individuals characterized by a shortage of brain cells. However, while the film occasionally f...

Here’s yet another original streaming “event” movie that rewards viewers for inattentiveness and distraction. The less attention one pays to this soulless retread of an action/adventure wannabe, the better it looks. With its A-list cast and ...

The Fountain is Darren Aronofsky trying to be Stanley Kubrick. However, while Aronofsky is able to match Kubrick frame-by-frame for ending ambiguity, that's one of the few areas in which The Fountain keeps pace with 2001. Technically, this is an im...

The simplest and most honest expression of praise that I can offer Mike Newell's latest movie is that it represents two hours of solid movie magic. Four Weddings and a Funeral possesses the rare ability to make an audience laugh (and laugh hard) a...