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It's hard to believe that The American President was made by the same man responsible for the no-holds-barred satire of This Is Spinal Tap. Is there any element of American culture more ripe for the humorist's razor-sharp wit than presidential pol...

At one time not all that long ago, Dreamworks Animation was churning out such exciting, well-loved projects as Shrek and How to Train Your Dragon. Of all the major studios, only they were able to challenge Disney on its home court. The Bad Guys...

In a bygone era, something like Bandit would have been a TV movie of the week. All these years later, it retains the look and feel of something not quite “theatrical” in its ambitions. If it has any future as a streaming rental, such hopes lik...

For anyone who was alive and watching American television between 1950 and 1980, it’s a sure bet that at least one episode of I Love Lucy was consumed. The most popular TV show during four of its six seasons, the first Desilu production went on ...

Bridge to Terabithia is an example of a movie that does not deliver what the marketing campaign promises. Instead, it delivers something richer and more meaningful. Disney, in its infinite wisdom, is trying to make the film look like a watered do...

If, going in to Bring Her Back, one wasn’t aware that the directors were the Australian brother team of Danny and Michael Philippou, it wouldn’t be a hard thing to guess. In term of style, aesthetics, and tone, this movie is strongly reminisce...

It's a curious thing. Whenever this much talent is assembled for a motion picture, the result inevitably seems to be a letdown. And to say that Charlie Wilson's War is topheavy with talent is to understate the matter. The cast features three Osc...

Contraband is the kind of thriller that offers just enough in the way of effective elements to assemble a two-minute trailer. When it comes to a 110-minute feature, however, the sketchiness of the plotting and the director's lack of sure-handedness...

As movie-goers, we have become accustomed to seeing our screen heroes as immutable and immortal. This is in part the result of how film can freeze a moment. Humphrey Bogart will always look the way he does when saying “Here’s looking at y...