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Generally speaking, the movie industry loves the concept of unrequited love…to a point. That point is, of course, that there’s a happy ending – a quality notably absent from Edmond Rostand’s play, Cyrano de Bergerac, upon which Joe Wright�...

The advance word on The Devil's Own was, to put it mildly, not good. About a month ago, Brad Pitt went public with some extremely damaging statements about how, if he hadn't possessed an iron-clad contract, he would have bailed out on the prod...

When did this sort of movie stop being funny? Parodies with so-called "saturation humor" used to be reliable - rarely memorable but typically good for 90 minutes of enjoyable, disposable cinema. At some point, however, the jokes lost their zing, ...

It's tempting to look at the 2013 reincarnation of Evil Dead as yet another pointless remake of an '80s horror film. Haven't there been enough of these? One glance at the credit list reveals that both director Sam Raimi and star Bruce Campbell (o...

Flash of Genius is based on the real-life story of engineer Bob Kearns, who is credited with inventing the intermittent windshield wiper. The movie, which recounts the period beginning with the invention and continuing through a lawsuit against Fo...

If you go to this movie based solely on how it is being portrayed in the trailers and advertisements, you will probably be expecting a feel-good romp through familiar territory - a football version of Hoosiers. Like nearly all sports movies, Frida...

Gone Baby Gone is powerful stuff - a movie that derives its plot twists from moral conundrums rather than from narrative sleight of hand. The best mystery novels are the ones that use the genre as a stepping-off point for developing characters and...

A film like Good Luck Chuck makes one appreciate what Judd Apatow has accomplished with his films The 40-Year-Old Virgin and Knocked Up. All three pictures belong to the "raunchy romantic comedy" genre, but Apatow has achieved something impressive...

Greyhound is an atypical film: a World War II thriller that doesn’t aspire to be an epic. Most productions set during the early 1940s – even those made by blockbuster-minded directors – carry running times that are as bloated as their gr...