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Violent Night, Tommy Wirkola’s contribution to the Santa Claus legend, is better than it has a right to be but not as good as it could have been. Using a similar premise to the one botched by 2020’s Fatman (with Mel Gibson as the Man in Red), ...

The Rock's on a roll. Anyone who doubts Dwayne Johnson can be the new millennium's answer to Arnold needs to look no further than his recent resume. The parallels are astonishing. Both come from non-acting fields where brawn is a key requisite. ...

Wanted provides the jolt of adrenaline one expects from solid summer entertainment. It exists solely to keep the heart pounding as it shifts from one gear to the next, decelerating only when exposition demands a reduction in pace. The movie marri...

Jason Statham has staked out a claim for this page of the calendar. Two years ago, his movie Transporter II arrived on Labor Day weekend. Last year, it was Crank. This year, it's War (although, to be accurate, this movie opens the weekend before ...

The makers of Waterworld, the current holder of the "most expensive film" title, have put a good portion of the money where the viewing public can see it -- on the screen. This production, with its massive explosions, amazing stunts, and breathtak...

White House Down is what it's advertised to be: a Roland Emmerich Film. Those familiar with the director's work won't be surprised by anything in the movie. It follows the Emmerich template: a spectacle-tinged, compelling setup; a dumb, disappointi...

The Whole Nine Yards suffers from split personality syndrome - it's a strange hybrid of film noir and comedy. At first, this might not seem like an unusual approach, until you recall that most movies of this ilk are satires. That's not what's goi...

I might have felt sad about what director Howard Deutch and screenwriter George Gallo have done to the characters from The Whole Nine Yards if I cared about them in the first place. The problem with a movie like Jonathan Lynn's 2000 noir comedy is...

Winter's Bone offers a case study in the essential philosophical differences between independent motion picture thrillers and Hollywood/mainstream ones. The third feature from director Debra Granik and winner of two awards at the 2010 Sundance Fil...

Technically, the full title of Without Remorse is Tom Clancy’s Without Remorse. However, any similarities between the film version (credited to Taylor Sheridan and Will Staples) and Clancy’s novel are seemingly coincidental. This is a comp...