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After watching the Coen Brothers spend years mowing their way through genres and upending conventions, one question comes to mind: Is there anything these guys can't do. Common wisdom suggests "no" and, after winning Oscars early this year for No...

Roland Emmerich must dislike New York City. After all, this is the third time he has destroyed it. The Day After Tomorrow, an ode to an apocalyptic endgame of global warming, is an old-fashioned disaster film with modern-day special effects. It'...

Dog Day Afternoon was unquestionably one of the most memorable films to emerge from the pre-blockbuster era of the mid-1970s. Headlined by Al Pacino and John Cazale—both elevated to A-list status by the two Godfather films—and directed by vete...

Echelon Conspiracy is a more evocative title than a movie this stupid deserves. Once again, Hollywood displays a blatant ignorance of the capabilities of modern computers by providing a "God machine" that seemingly has no limits, except when it co...

Get ready for a deep dive into nostalgia. Ghostbusters: Afterlife, although boasting a next generation of Ghostbusters, works best for those who have seen (and at least somewhat remember) the original two Ivan Reitman films from the ‘80s. Althou...

The familiar fairy tales we were weaned on aren't good enough any more. First, Shrek playfully toyed with some of our old friends by having them interact in atypical ways with a big, green ogre. Then along came last year's Hoodwinked, which refus...

It's safe to say that, as a director, Clint Eastwood shows no fear. Only a few years beyond telling the story of Iwo Jima from the Japanese point-of-view, Eastwood ventures down another little traveled cinematic avenue by making what is essentiall...

Upon occasion, cinema can make for strange bedfellows. Consider, for example, I Think I Love My Wife. This relationship comedy marries the sensibilities of French New Wave auteur Eric Rohmer with the youth-friendly, sometimes raunchy humor of Chr...

Over the years, movies have given us countless meditations on death and mourning, many of them hopelessly artificial and cloying. When something like Love after Love comes along with its unsparing look at this process, the result can be uncomf...