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Most parents, on at least a subconscious level, would be happy if their children, when grown, followed in their footsteps. Such a career choice by one's offspring, is, after all, a kind of validation of one's own decisions. So it must be with som...

Perfume: The Story of a Murderer is beautiful in its ugliness. Among other things, it features gorgeously composed scenes of maggots, animal entrails, and human corpses. And, in direct contrast to Marie Antoinette, it portrays 18th century France...

Most of us, even some who were part of the "in crowd," think of ourselves as having been outsiders during high school. It's the nature of adolescence. Movies like Stephen Chbosky's The Perks of Being a Wallflower capture the awkwardness, the lonel...

I have never been a fan of Andrew Lloyd Webber's phenomenally popular stage musical version of The Phantom of the Opera, so it will probably come as no surprise that the film adaptation, which is faithful to its inspiration, left me feeling underwh...

When actor Jack Quaid was a kid, his mother, Meg Ryan, was the Queen of the Romantic Comedy, so there’s something fitting about his venturing into this genre for his highest profile role to-date. Although significantly more profane than any ...

Precious (saddled with the unwieldy subtitle: Based on the Novel Push by Sapphire) manages the task of being both heartbreaking and heart-warming, all without resorting to the kind of manipulation so often evident in dramas about underprivileged ki...

Pre-Victorian writer Jane Austen, who died in 1817, has had more books adapted for film in the last twelve months than prolific contemporary authors Michael Crichton and John Grisham. In a very real sense, the movie world is undergoing an "Austen ...

Call Project Almanac a "shaky-cam special", and it's a damn shame. The resultant production, both shaken and stirred, transforms a potentially entertaining pulp time travel story into a misbegotten exercise in frustration. It takes what...

Psycho Killer is all about misdirection. It starts out as one thing and ends up someplace completely different. The first scene, a shot through the front windshield of a speeding car, offers up a grim aesthetic that is only amplified through the e...

Moody and brooding, Scott Teems’ The Quarry falls loosely within a genre that has been dubbed “Western noir” by some critics. Undoubtedly a serious work that attempts to address immigration tensions and personal redemption, the film suff...