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This is one sequel it’s a pleasure to review. Although not as fresh and lively as the first Paddington, the second feature based on the popular children’s book series by Michael Bond offers some of the best family entertainment outside an ...

With a title like Pain & Gain and Michael Bay at the helm, this review looked like a great opportunity for a vitriolic screed, but that's not going to happen. Defying expectations, Pain & Gain not only represents one of the best movies Bay has made...

The Painted Veil, based on the novel by W. Somerset Maugham, takes viewers on a journey into early 20th century rural China, where a cholera epidemic becomes the backdrop for shifts and growing pains in a fractured marriage. Due in large part to e...

Most films about teenagers fall into one of two categories: nihilistic tales about angst-riddled kids and saccharine-infused Hollywood confections. To its credit, Palo Alto occupies a welcome middle ground. With a loose, at times almost dreamlike s...

How's a studio to proceed when it wants to do something with a classic, family-friendly property but believes a straightforward remake to be redundant? The solution, as recently explored by several would-be franchises, is to expand the canvas. Ma...

Paper Towns is the third coming-of-age story to reach screens during the summer of 2015, following in the wake of the vastly superior Me and Earl and the Dying Girl and Dope. Based on the novel by John Green, Paper Towns is an exercise in artifice. T...

Whatever else it may be cited for, The Paperboy, Lee Daniels' follow-up to Precious, is not going be called "the feel-good movie of 2012." An unsettling period piece mystery (the period being the late 1960s), The Paperboy is steeped in the so-calle...

I've seen movies like this more often than I'd like to admit: glitzy thrillers with less intelligence than a smart rutabaga where big-name actors pick up a paycheck while trying with limited success not to embarrass themselves and the studio keeps ...

Paranoid Park is a rare breed: a movie about teenagers in which the characters talk like real teenagers, act like real teenagers, and are played by real teenagers. The difference between what's presented in this production compared to what we're u...

Parker delivers just about what the average viewer would expect from it: a Jason Statham-flavored action thriller (as opposed to, say, a Matt Damon-flavored action thriller or a Rock-flavored action thriller). Statham, like John Wayne in his heyday...