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The realities that human beings create around themselves are, by their nature, fragile things – some more fragile than others. In her directorial debut, actress Rebecca Hall addresses the malleability of identity via her adaptation of Nella ...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...

When discussing "giants" of the non-English-speaking, international film world, four names leap immediately to mind: Ingmar Bergman, Federico Fellini, Akira Kurosawa, and Satyajit Ray. Of these men, Ray has received the least North American e...

Pathfinder feels like one of those generic '80s action films where there's plenty of violence with no suspense, lots of stunt work but no excitement, and a cast of characters so poorly developed that it's easier to care about the background scenery...

"Through the travail of ages Midst the pomp and toils of war, Have I fought and strove and perished Countless times upon a star. As if through a glass, and darkly, The age-old strife I see, For I fought in many guises, many names, But a...

Pay It Forward couldn't have more obvious aspirations if the filmmakers announced them. Featuring a top-notch cast; an adept script that meshes tragedy, light comedy, romance, and melodrama; and the kind of overall optimism that is a perfect tonic...

Payback is the most viscerally involving thriller to be released in the last several months. Granted, the plot is far from air-tight (in fact, towards the end, it begins to resemble Swiss cheese), but the adrenaline level is heightened to the poin...

Nostalgia - many movies (especially sequels to long-lasting franchises) trade in it to one degree or another. Few films, however, rely on its impact as strongly as The Peanuts Movie, the first big-screen outing for Charlie Brown & friends since 1...

Perfume: The Story of a Murderer is beautiful in its ugliness. Among other things, it features gorgeously composed scenes of maggots, animal entrails, and human corpses. And, in direct contrast to Marie Antoinette, it portrays 18th century France...

Most of us, even some who were part of the "in crowd," think of ourselves as having been outsiders during high school. It's the nature of adolescence. Movies like Stephen Chbosky's The Perks of Being a Wallflower capture the awkwardness, the lonel...