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In some ways, The Town can be considered a throwback, at least insomuch as any movie reflecting the approach of '80s and '90s cop dramas can be tagged with such a label. With a crisp, clear style and a focus on character, director Ben Affleck is a...

The Tracey Fragments uses its non-standard visual style, a split-screen approach that can show from one to sixteen frames at any one time, in a vain attempt to camouflage the paucity of the story. Director Bruce McDonald, working from a script by ...

Trade is a straightforward and uninspired look at the sex trade, where girls are kidnapped and forced into prostitution. To its credit, the film avoids titillation but, at the same time, it is so full of moral outrage that there's no sense of dram...

During the Spring of 1990, I remember being transfixed in front of the television set for an hour each Sunday night over a period of five weeks. The occasion was the "Masterpiece Theater" presentation of the British mini-series "Traffik", a comple...

A wonderful thing about Shakespeare’s canon is that those plays can form the vehicles by which any director’s unique vision can emerge. Laurence Olivier, Orson Welles, and Kenneth Branagh all recognized this. With The Tragedy of Macbeth, Joel ...

Train Dreams is a lyrical film—a movie concerned more with emotional impact, nostalgia, and powerful imagery than rigid plotting. It is the kind of cinema where a state of reverie is not merely encouraged, but required. Although there is a narra...

Next to Independence Day, Trainspotting may be the most hyped motion picture of the summer. Miramax Films, the distributor that saturated the market with ads for The Crying Game in 1992- 93 and Pulp Fiction in '94, has struck again. Trainspotti...

Traitor is an uncommonly intelligent espionage thriller that explores the moral and ethical dilemmas faced by agents who go deep undercover in the service of their country. For movies that revolve around terrorist organizations and acts, there a...

Trance is a member of the movie category defined by the likes of Shutter Island and Inception - films in which the concept of "reality" is flexible and the reliability of the narrative is indeterminate. Even at the end, once all has been explained ...

(Spoilers.)“The love of money is the root of all evil.” So says the Bible. So also says B. Traven, the mysterious author whose novel The Treasure of the Sierra Madre became the source material for director John Huston’s 1948 adaptation. ...