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Calling The Fault in Our Stars a "teenage cancer romance" might be understating the film's laudable qualities but it's also a reasonably accurate three-word summary of the plot. Adapted from John Green's best-selling YA novel of the same name, The ...

It's too bad the title The Good, the Bad, and the Ugly was already taken, because it would have been the perfect moniker for Fear and Loathing in Las Vegas, Terry Gilliam's adaptation of Hunter S. Thompson's book (emphasis on "the bad and the ugly"...

Feardotcom is a “ghost in the machine” movie, I guess. I can’t say for certain because the story is so confused and contradictory that it’s impossible to make sense of what’s going on. It hurts to search for logic in the wreckage of ...

Feast of July, which arrives under the Merchant/Ivory umbrella (Ismail Merchant having served as executive producer), is much like a big screen version of a double-length Masterpiece Theater episode. By turns tragic and beautiful, but always atmos...

It's a little surprising to encounter a film like Feast of Love in multiplexes, because it is made for adults. After a summer of pyrotechnics and incredibly dumb scripts, it's a change of pace to find something that aspires to run for 100 minutes w...

On reason behind the so-called “whitewashing” of the 2016 Oscars was too few roles of substance in major productions for actors of color. This year’s roster of awards contenders has taken substantial steps to address this issue. Now...

With Ferrari, Michael Mann falls afoul of one of the pitfalls of the bio-pic: by focusing too tightly on one brief period in the main character’s life, he creates an “is that all there is?” feeling. Although the real Enzo Ferrari was a large...

I will be surprised if this film does well in New York City. Yankees fans, accustomed to success, are still smarting from last year's humiliating debacle, and a romantic comedy that capitalizes on the Red Sox's triumph is unlikely to pack theaters ...

Perhaps the most curious and counterproductive aspect of The Fifth Estate, the so-called "Wikileaks movie," is the decision by director Bill Condon and screenwriter Josh Singer to establish the film as a thriller. The material covered in the produc...

It is, as they say, what it is. Fifty Shades Darker, the sequel to the critically panned but fan-loved Fifty Shades of Grey, will likely satisfy those who liked the first film (or the books upon which the movies are based) while distancing everyone e...