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Under the best of circumstances, a relationship demands work and nurturing. Like a plant, it must be carefully tended after it sprouts and guided to maturity. Neglect can cause it to wither or become stunted or overgrown. Adam chronicles the rela...

To sum up Alexander in three words, I would choose the following: three-hour miscalculation. Although some aspects of Oliver Stone's sword-and-sandals epic are worthy of mention (and even praise), they are dwarfed by the missteps and examples of b...

Ali, Michael Mann's attempt to chronicle ten pivotal years in the life of former heavyweight boxing champion Muhammed Ali, suffers from the most common ailment of motion picture biographies – trying to do too much in a limited time. While Al...

With its frequent jumping around in time, All the Old Knives runs the risk of losing the viewer somewhere in the space-time continuum. Movies like this, which demand a non-linear approach for maximum impact, risk diluting the characters, which adm...

If you’re more interested in visual razzamatazz than little things like character development or interaction, Ambulance may be your movie. If you prefer sweeping, hyperkinetic camera movements and spastic editing to a coherent narrative, Amb...

American Made is loosely – very, very loosely – based on true events. Ultimately, however, little of the real Barry Seal’s life has made it into the film, which is used by director Doug Liman (The Bourne Identity, Edge of Tomorrow) and ...

American Sniper lifts director Clint Eastwood out of the doldrums that have plagued his last few films. Loosely based on the life of decorated Iraq War veteran Chris Kyle, the movie not only represents the best effort from Eastwood since his Oscar-wi...

The summer of bad sequels finally has an entry that can boast being noticeably better than its immediate predecessor: American Wedding. The third entry into the American Pie series, this movie is a vast improvement over the tired and uninspired Am...

You don’t have to look too far or to deep to find the similarities among writer/director Andrew Niccol’s three science fiction films (I’m ignoring The Host, which is more Stephanie Meyer than Niccol). Like Gattaca and In Time, Anon boas...