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When Universal Pictures remade The Mummy in 1999, they wisely opted for a radically different tone, shifting from the atmospheric horror of the 1932 original to a Raiders of the Lost Ark-style adventure motif. Now, for the third major film to b...

The "1600" in the title, Murder at 1600, refers to a house number on Pennsylvania Avenue: the address of the White House. That makes this the third movie in three months (following Shadow Conspiracy and Absolute Power) to deal with high-level gov...

To the extent that My Big Fat Greek Wedding 2 is about cross-cultural pollination, try this one out: instead of “Opa!”, how about “Oy Vey!” Yes, they’re back, and not because anyone was pining for their return. The “lovable” Portokal...

It's always a tricky proposition to make a motion picture based on recent history -- and the more public the episode, the more difficult it is for the film maker to balance drama with accuracy. This is especially true when that film maker is Olive...

Non-Stop plays like what might happen if Michael Bay directed a screenplay developed for Alfred Hitchcock. The movie, while so utterly preposterous as to provoke guffaws, is presented in such a way that there's a building sense of tension. As a res...

Perhaps the most remarkable thing about Novitiate is the even-handedness with which it treats religion in general and 1960s era Catholicism in particular. Set mostly within the confines of a convent, the feature debut of writer/director Margare...

Occupation accomplishes the previously unthinkable: an alien invasion film that makes Independence Day look smart. A so-bad-it-has-to-be-seen-to-be-believed motion picture (not that I recommend subjecting oneself to the experience), Occupation...

Operation Fortune: Ruse de guerre represents the second consecutive collaboration (and fifth overall) between director Guy Ritchie and actor Jason Statham. My main complaint about their 2021 effort, Wrath of Man, was related to the somber tone. For...

With Oppenheimer, director Christopher Nolan steps away from the action/adventure core that has been his bread-and-butter and opts instead to channel his inner David Lean. Despite being overlong and unevenly paced, Oppenheimer contains moments of ...

With a title like Pain & Gain and Michael Bay at the helm, this review looked like a great opportunity for a vitriolic screed, but that's not going to happen. Defying expectations, Pain & Gain not only represents one of the best movies Bay has made...