Movies with cinematographer Dariusz Wolski

This review is based on an IMAX 3-D screening. Lewis Carroll's "Wonderland" stories, much like the collected works of Roald Dahl, can be perceived from a number of perspectives. Although traditionally seen as a children's tale, Alice's Wonderla...

When Ridley Scott released Prometheus five years ago, his stated intention was to explore a new story in the Alien universe. He had limited enthusiasm for continuing the evolution of the xenomorph he first brought to the screen in 1979 but mar...

In Ridley Scott’s All the Money in the World, Christopher Plummer’s performance is by far the best thing and the scenes in which he appears are the most compelling. The irony of those statements is evident since Plummer wasn’t in the ori...

When I first heard about The Counselor, it became one of my most anticipated titles of 2013. The talent alone made it seem like a "can't miss" proposition: Ridley Scott directing; Cormac McCarthy, the man responsible for the source material of No C...

Crimson Tide is a white-knuckler with a cop-out ending. It's a thrill-a-minute ride that concludes with a whimper, like a roller-coaster that has all the drops and twists early. Make no mistake, this is a good source of early summer fun, but with...

The Crow is a gothic nightmare. With a view of Detroit that is every bit as bleak and dazzling as the urban panoramas presented in Batman and Blade Runner, this film makes it clear from the outset that wherever its flaws may lie, they will not be ...

The Crow will forever be remembered as the final performance of budding star Brandon Lee, who died as a result of a tragic behind-the-scenes accident. However, as intense as the hype associated with Lee's death was, it could not obscure the mo...

There is no truth to the rumor that free frontal lobotomies will be performed at the entrance to all theaters showing Eagle Eye. This movie tests the viewing public's tolerance for enduring crass stupidity when the payoff is a series of repetiti...

Exodus represents Ridley Scott's attempt to emulate Cecil B. DeMille. Comparisons with The Ten Commandments are both unavoidable and appropriate. Considering the mixed critical reaction to the 1956 spectacle, it is perhaps surprising that Exodus co...

Throughout the course of its bloated (132 minutes, sheesh) length, Greg Berlanti’s Fly Me to the Moon never figures out what it wants to be. Is it a rom-com? A screwball comedy? A parody of conspiracy theorists and their crackpot hypotheses? A v...