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Perhaps Almodovar and film noir simply don't mix. This is the second time in three films the acclaimed Spanish director has attempted to apply his unique style to a twisty mystery and, as was the case with Bad Education, it's not a marriage made i...

The death of a family member has often provided grist for filmmakers' mills, and the resulting productions, both good and bad, have dotted the cinematic landscape for years. Many of the highest profile of these - Ordinary People, In the Bedroom, M...

Burnt by the Sun, the winner of 1995's Best Foreign Film Oscar, attempts, with only limited success, to combine two segments of radically different pacing and temperament. The movie's resolution represents forty-five minutes of taut, arresting dra...

If I was to review Giuseppe Capotondi’s The Burnt Orange Heresy based exclusively on the film’s first half, I would have nothing to offer but raves. Unfortunately, the film’s final 30 minutes prove unable to deliver on the promise of the...

Guilt and paranoia - two powerful cornerstones of the human psyche. In his latest, award-winning drama (it has captured about a dozen significant international citations), writer/director Michael Haneke explores both, although the manner in which ...

Call Me by Your Name, the latest film from Italian director Luca Guadagnino, is a study in mood and emotion. It’s about living in the moment and capturing that moment. It’s about using the canvas of film to convey to the audience the inner...

Capote tells two stories, presenting both without hiccups. The first is an exposé of how the title author's In Cold Blood was written. The second shows the emotional and psychic dissolution of the man who starts out the film as a brilliant eccentr...

Carnage is a French dark comedy made with an A-list cast and filmed in English. Adapted from the play God of Carnage by the play's scribe, Yasmina Reza, and director Roman Polanski, Carnage makes no attempt to "open up" the stage production. With t...

Celeste and Jesse Forever wants to be marketed as an "anti-romantic comedy," but, despite its somewhat unconventional storyline, it's very much about what draws people together into relationships and what pulls them apart. It explores the reality o...

Since imprinting his name on the international indie box office with his mid-'90s one-two punch of Exotica and The Sweet Hereafter, Toronto-based filmmaker Atom Egoyan has been struggling to regain his footing. In one way or another, his last few ...