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Although it's certainly a matter for argument, many cineastes consider David Lean to be one of the ten best directors of lavish epics. Although several of Lean's most accomplished movies were made while he was based in the U.K., they nevertheless ...

Brightburn can at least boast an interesting premise – not that it does anything with it. The underlying conceit is as simple as it is pregnant with promise: what if a Superman type, having arrived on Earth as an infant in a space capsule, w...

Sony Pictures wisely decided not to unveil The Brothers Grimsby to critics. Would that they had shown the same deference to the general public… There are bad films and then there are bad films. This is a textbook example of the latter - a productio...

There’s a time and a place for mayhem, and that’s essentially what Bullet Train is: two hours of fights, carnage, and witty repartee. Oh, it’s too long, to be sure – probably at least by 20 minutes. And its puzzle-like structure is too com...

With Can't Hardly Wait, I suppose first time directors Deborah Kaplan and Harry Elfont (whose previous credits include writing the script for A Very Brady Sequel) were trying to recapture the mood of a John Hughes '80s teen comedy. Unfortunately, ...

Movies like Captain Phillips - taut, white-knuckle thrillers that feature ordinary guys instead of bona fide action heroes - are something of an endangered species. In today's risk-averse movie industry, making an "action" film without an establish...

The only James Bond story for which Albert Broccoli never obtained the rights is Casino Royale. Those are held by Charles Feldman, who, following the success of Dr. No, From Russia with Love, and Goldfinger, decided that he wanted to make his ...

Catch and Release is a confused, disjointed motion picture that tries to be many things and succeeds in being none. In less than two hours (although it feels considerably longer), writer/director Susannah Grant cobbles together nearly every imagina...

Three things occurred to me while watching Caught Stealing. First, it's the best work director Darren Aronofsky (Requiem for a Dream) has done since 2010’s Black Swan. Second, in addition to being set in the late 1990s, it embraces the indie film...

Center Stage proves that all the sports movie cliches can be as successfully applied to ballet as to baseball, basketball, football, boxing, ice skating, skateboarding, karate, etc. With a plot that is constructed entirely out of formula situation...