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One could never argue that Across the Universe isn't ambitious. However, like many ambitious movies, this one fails spectacularly. Glenn Kenny of Premiere magazine called it "the perfect disaster" and, while I think that's a little harsh, I underst...

Alex Cross, loosely adapted from the novel Cross by James Patterson, has all the earmarks of something contorted and condensed to fit into the 100-minute time limit imposed on mass marketed motion pictures. Parts of the movie feel inexcusably rushe...

2003’s Bad Santa was a milestone in feel-bad black comedy. Directed by Terry Zwigoff, written by Glenn Ficarra & John Requa, and co-executive produced by the Coen Brothers, it was a holiday movie unlike any previous holiday movie. Although ...

On the surface, Clash of the Titans would seem to be mixed using a sure-fire recipe for success, so where did things go wrong? How did a film that should have captured the imagination of the young Star Wars generation end up failing? Some of it h...

Seen in standard digital 3D. To employ a cliché, there's good news and bad news for Clash of the Titans fans. The good news is that the 2010 remake is an improvement upon the 1981 original. The bad news is that the degree of improvement is mi...

Crossing Over is Wayne Kramer's Crash-inspired look at the world of immigration in Southern California. Like Paul Haggis' Oscar winning film, this one is replete with coincidences and contrivances but, unlike Crash, it also features too many insta...

If I Stay answers the burning question of what The Sixth Sense might look like if the screenplay had been written by Nicholas Sparks. Of course, Sparks had nothing to do with this film - it's based on a popular YA novel written by Gayle Forman - b...

Ever wonder what a mumblecore road trip might be like? Whether intentional or not, that’s what Izzy Gets the Fuck Across Town feels like. (The “u” in the subversively titled film has been censored in posters and other marketing material ...

Mama follows an unfortunate recent pattern that has emerged in low-budget horror films, especially those with PG-13 ratings. It starts out strongly, using evocative visuals and an unsettling backstory to establish a creepy tableau, but it proves un...

Miller’s Crossing, the Coen Brothers’ third film (following Blood Simple and Raising Arizona) introduced the kind of comedically-tinged approach they would employ for some of their darkest and most compelling films, including the criticall...